In Collection
#189
Seen It:
Yes
Action, Adventure
USA / English
| Wesley Snipes |
Mark J. Sheridan/Mark Warren/Mark Roberts |
| Tommy Lee Jones |
Chief Deputy Marshal Samuel Gerard |
| Robert Downey Jr. |
Special Agent John Royce |
| Kate Nelligan |
U.S Marshal Catherine Walsh |
| Joe Pantoliano |
Deputy Marshal Cosmo Renfro |
| Daniel Roebuck |
Deputy Marshal Bobby Biggs |
| Tom Wood |
U.S. Marshal Noah Woodrow Newman |
| Irène Jacob |
Marie Bineaux |
| Patrick Malahide |
Bertram Lamb |
| Latanya Richardson |
Deputy Marshal Savannah Cooper |
| Irene Jacob |
|
| Director |
Stuart Baird |
| Producer |
Anne Kopelson; Arnold Kopelson |
| Writer |
Roy Huggins; John Pogue |
An ultimately futile attempt to make lightning strike twice, this so-called spinoff from 1993's blockbuster
The Fugitive avoids the label of "sequel" by forging ahead without the first film's star, Harrison Ford. The idea is to showcase the return of Tommy Lee Jones in his Oscar-winning role as tenacious U.S. Marshal Sam Gerard, this time testing his mettle against a covert government operative (Wesley Snipes) accused of murdering two secret service attachés. Unfortunately, Jones and the entire cast have been trapped in a rambling plot, and the underdog status that made Ford such a compelling hero is sacrificed to an evenly matched and eventually tiresome game of cat and mouse, with a villain whose identity is far too predictable. With no dramatic buildup and several superfluous characters to distract its focus, the film's momentum plays out like a rote exercise compared to the high stakes of the earlier film.
--Jeff Shannon
| Edition |
Special Edition |
| Barcode |
085391562528 |
| Region |
Region 1 |
| Chapters |
40 |
| Release Date |
7/21/1998 |
| Packaging |
Snap Case |
| Screen Ratio |
Widescreen (16:9, Anamorphic) |
| Subtitles |
English; English (Closed Captioned); French; Spanish |
| Audio Tracks |
Dolby Digital 5.1 [English]
Dolby Digital Surround [French] |
| Nr of Disks/Tapes |
1 |
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Interactive Menus Behind-the-Scenes Documentary Historical Documentary Commentary Production Notes Theatrical Trailers Scene Access |